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Eleanor Anderson, widow of the composer Leroy Anderson, died November 12, 2014 of natural causes at her home in Woodbury, Connecticut. She was 96.
She was born Eleanor Jane Firke on May 21, 1918, in Champaign, Illinois, the daughter of Beulah Hubbard Firke and Atty. Charles Wesley Firke. Charles W. Firke graduated from the University of Michigan Law School. He became Illinois State's Attorney for Piatt County and also worked as legal counsel for the Illinois Central Railroad. His wife Beulah Hubbard Firke was a nurse.
Eleanor Anderson was German on her father's side, the Firke side. On her mother's side, she was Scots through her maternal grandmother whose name was Anderson from Scotland. She was also English through her maternal grandfather who was a Hubbard.
Although Eleanor was born and grew up in Illinois, her Hubbard ancestors came on one of the early boats from England. They lived in Massachusetts through the 1600s and 1700s until our ancestor followed a religious leader and wound up in the Midwest.
Eleanor Jane Firke grew up and went to school in Monticello, Illinois. She attended Connecticut College in New London, Connecticut. After her father's sudden accidental death in 1938, she transferred to the University of Illinois at Urbana-Champaign and graduated in 1939 with honors in English. She moved to New York City to attend the Tobe-Coburn School for Fashion Business. She met her future husband, Leroy Anderson, a musician, arranger and composer, at International House in New York City. They were married October 31, 1942, at Grace Episcopal Church in New York City, a few days before Anderson, who later became a Captain in the U.S. Army, was sent to Iceland as an intelligence officer, fluent in nine languages.
When Anderson was assigned to the Pentagon as chief of the Scandinavian Desk for Military Intelligence, they lived in Arlington, Virginia. After World War II ended, the family moved to Cambridge, Massachusetts to live with Anderson’s parents and then to Brooklyn, New York.
In 1947, they spent the summer in Woodbury, Connecticut, in a little cottage on 90 acres of land on Painter Hill Road owned by Mrs. Anderson's mother and her two unmarried sisters, Eleanor Hubbard and Marie Hubbard. It was here that Anderson composed his most popular piece, Sleigh Ride. In 1949, the Andersons moved permanently to a house that had been converted from a barn on the same property and moved 100 feet to the foundation of the former house.
In October 1953, the family moved to a newly built house on Grassy Hill Road in Woodbury where Mrs. Anderson lived for the rest of her life and where her husband died at age 66. In contrast to her musically accomplished husband, Mrs. Anderson could not carry a tune or play an instrument. She recalled that as a student in Monticello, Illinois, she played E-flat alto horn in the high school band, "but it was just a few notes here and there like the last two beats in a waltz."
I didn't have enough of a musical background to talk with Leroy about what he was doing," she said, but she was always his most tireless promoter and supporter. Mrs. Anderson was a long-time member of the Waterbury Symphony Orchestra Board of Directors. She was active in the Alliance Française, Woodbury Garden Club and Flander's Nature Center's wildflower trail committee. For more than 60 years, she was a member of St. Paul's Episcopal Church in Woodbury, Connecticut.
She was predeceased by her husband in 1975 and her son, Eric Anderson, in 2007. She leaves sons Rolf Anderson of Montgomery, Vermont and Kurt Anderson of Roxbury, Connecticut; daughter and son-in-law Jane and Peter Vercelli of Thompson, Connecticut; grandsons Anders Vercelli and Lars Vercelli, both of New York City, and Ivan Anderson of Junction City, California; nephews Mark Anderson and David Anderson, both of Woodbury; and three great nieces.
Her funeral was at St. Paul's Episcopal Church, 294 Main Street, Woodbury, on November 22 at 1 p.m. Members of her family participated in the service that was attended by 125 friends and family members. Daughter Jane and family friend Jaroslav performed the prelude music on violin from the choir loft. Son-in-law Peter Vercelli, nephew Mark Anderson and great nieces Larissa, Keira and Alexa Anderson gave readings from the Holy Bible. Grandson Anders Vercelli, played Leroy Anderson's Forgotten Dreams on piano. He was accompanied by grandson Lars Vercelli and his wife Laura Vercelli who sang the lyrics to Forgotten Dreams. Daughter Jane vercelli, son Rolf Anderson, and grandson Ivan Anderson each gave homilies of Eleanor Anderson's life.
Eleanor Anderson was buried in the family plot at New North Cemetery, 101 Washington Avenue, Woodbury, Connecticut. A bagpiper performed three pieces ending in Scotland the Brave.
A reception at St. Paul's Church followed the burial.
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"Eleanor's love and enthusiasm for the cause of music will be sorely missed along with her very presence." - Ron Dudak
"Eleanor was a special lady. I will always remember her for all she did for the Waterbury Symphony." - Sybil Smith
"Eleanor was an astonishing combination of regal and humble qualities. She had keen intuition, an impish sense of humor and regard for the smallest things." - Becca Anderson
"I will always consider it one of the great honors of my career to have had a chance to meet Mrs. Anderson. She was a wonderful ambassador of Leroy Anderson's music to the world and was extraordinarily gracious and supportive while I was preparing the transcriptions of Anderson's music for theatre organ." - Jelani Eddington
"I will treasure the times we had with Eleanor - from San Francisco and the ballet, the Boston Pops, the Kennedy Center, concerts in Waterbury, and of course visits in her beautiful home. She was an extraordinary woman and I know that there will never be a time when I conduct or listen to Leroy Anderson's music where she will not come to mind. I consider myself fortunate that for a while our paths crossed." - Emil de Cou & Leif Bjaland
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"While our father gave me his love of trees, our mother gave me her love of wildflowers. Mom's mother and aunts were always occupied with growing cultivated plants - flowers, vegetables or fruits intended to produce a measurable harvest. Mother, on the other hand, enjoyed native plants - delicate wildflowers, the many ferns, mountain laurel and the like. She instilled in me an appreciation for nature's wild beauty, not always neat and tidy, sometimes so small as to be easily overlooked. When she and I visited a formal garden like Garden in the Woods, home to the New England Wildflower Society, I remember Mother taking my arm to make me stop and see something she liked. It was a group of plants that were partially concealed by a tree and some large rocks. "Look at how interesting that is," she said. "Instead of putting the plants directly out in the open, they're where you have to look to see them. It's called the charm of the half-hidden," she said with a smile. That concept of the "charm of the half-hidden" has guided me through many years of landscape design at my home in northern Vermont."
"Growing up, I came to realize that our father's music brought much happiness to many people. Mom and I agreed that Dad's music was like a gift in the way that people appreciated it. After Dad's death, I saw mother's enormous sadness over losing her husband. We all missed Dad very much. Gradually Mother found strength in the love of her family, her steadfast friends and the admiration that so many people expressed for Dad and his music. It was then that I began to appreciate Mother's innate love of people as expressed by her and that she instilled in me and my siblings."
"As we remember and celebrate Eleanor's life, we give thanks for our parents and their elders, for our father's beautiful music and his love of languages, for our mother's long and healthy life, her love of life, her love and support of her family, her love for others and for helping me to appreciate the 'charm of the half-hidden.'" - Rolf Anderson
Also visit the official website for Leroy Anderson maintained by his family.